James
Curnow
James
Curnow was born in Port Huron, Michigan and raised in
Royal Oak, Michigan. His formal training was received
at Wayne State University (Detroit, Michigan) and at
Michigan State University (East Lansing, Michigan),
where he was a euphonium student of Leonard Falcone,
and a conducting student of Dr. Harry Begian. His
studies in composition and arranging were with F.
Maxwell Wood, James Gibb, Jere Hutchinson, and Irwin
Fischer.
James
Curnow has taught in all areas of instrumental music,
both in the public schools (five years), and on the
college and university level (twenty-six years). He is
a member of several professional organizations,
including the American Bandmasters Association,
College Band Directors National Association, World
Association of Symphonic Bands and Wind Ensembles and
the American Society of Composers, Authors and
Publishers (ASCAP). In 1980 he received the National
Band Association’s Citation of Excellence. In 1985,
while a tenured Associate Professor at the University
of Illinois, Champaign-Urbana, Mr. Curnow was honored
as an outstanding faculty member. Among his most
recent honors are inclusion in Who’s Who in America,
Who’s Who in the South and Southwest, and Composer of
the Year (1997) by the Kentucky Music Teachers
Association and the National Music Teachers
Association. He has received annual ASCAP standard
awards since 1979.
As
a conductor, composer and clinician, Curnow has
traveled throughout the United States, Canada,
Australia, Japan and Europe where his music has
received wide acclaim. He has won several awards for
band compositions including the ASBDA/Volkwein
Composition Award in 1977 (Symphonic
Triptych)
and 1979 (Collage
for Band),
the ABA/Ostwald Award in 1980 (Mutanza)
and
1984 (Symphonic
Variants for Euphonium and Band),
the 1985 Sixth International Competition of Original
Compositions for Band (Australian
Variants Suite),
and the 1994 Coup de Vents Composition Competition of
Le Havre, France (Lochinvar).
Curnow
has been commissioned to write over two hundred works for
concert band, brass band, orchestra, choir and various
vocal and instrumental ensembles. His published works now
number well over four hundred. His most recent commissions
include the Tokyo Symphony Orchestra (Symphonic
Variants for Euphonium
and Orchestra), the
United States Army Band (Pershing’s Own, Washington,
D.C.-Lochinvar,
Symphonic Poem for Winds and Percussion), Roger Behrend and
the DEG Music Products, Inc. and Willson Band Instrument
Companies (Concerto
for Euphonium and Orchestra),
the Olympic
Fanfare and Theme for the Olympic Flag
(Atlanta
Committee for the Olympic Games, 1996), the Kentucky Music
Teachers Association/National Music Teachers Association in
1997 (On
Poems of John Keats for String Quartet)
and
Michigan State University Bands (John Whitwell, Director of
Bands) in honor of David Catron’s twenty-six years of
service to the University and the University Bands
(Ode
And Epinicion).
For more information see
www.curnowmusicpress.com